OCTOBER, ON VIEW:

Charlotte Lethbridge

WATER TAXI BOOGIE WOOGIE

Mom’s Lamp, 2022
Acrylic on canvas
34 x 28 inches
86.36 x 71.12 centimeters
Sunken Forest, Moody Dusk, 2022
Acrylic on canvas
80 x 64 inches
203.2 x 162.56 centimeters
The Sunburn, 2022
Acrylic on canvas
18 x 18 inches
45.72 x 45.72 centimeters
Dune Grass, 2022
Acrylic on printed fabric
40 x 52 inches
101.6 x 132.08

One of my reigning motivators is providing a tangible sense of place in my work. Our lives take place largely online and when we can exist everywhere, we lose a connection to where we actually are. Historically, landscape painting granted access to locales in a world with limited means of travel. Now there is no part of the world left untouched, but we still face the same issue of limitation. Not because the paths are inaccessible, but because we no longer walk them a meaningful way.

I’ve spent my life walking dirt roads, climbing dunes, and squeezing through fences to explore an island. Repeatedly rendered in my paintings is the strip of bay that separates the shores of Fire Island and Long Island. The scene is a meditation on my time spent in this place as life brought obstacles and growth, hurt and healing. I paint this spot from my studio 3000 miles away because by capturing this island, a landscape etched so deep in my psyche, I can try to understand how it relates to my existence and identity.

Charlotte Lethbridge

Water Taxi Boogie Woogie
Acrylic on linen
36 x 28 inches
91.44 x 71.12 centimeters
Fish Lie, 2022
Acrylic on linen
22 x 18 inches
55.88 x 45.72 centimeters
Friends of Chappaquiddick, 2022
Acrylic on canvas
40 x 52 inches
101.6 x 132.08 centimeters
Grass Light Twice, Mermejita, 2022
Acrylic on linen
48 x 36 inches
121.92 x 91.44 centimeters
Water Taxi, Rainy Sunset, 2022
Acrylic on linen
34 x 28 inches
86.36 x 71.12 centimeters
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Belkis Balpinar | SUMMER 2022